Yesterday was the much-celebrated release of Laurel Version 5.0 & we dare say she is now even better than before. As with any new release, there is some debugging going on. 5.0 came with sniffles, which is not a feature we plan to support. Enhancements include clutter control & inspired organization. The piece de resistance, though, is superior self-centering, in which Laurel is increasingly aware of her own point of reference & preference & adjusts her course accordingly. This is not a standard upgrade, as many think it will take them out of the sphere of Love&Caring, but we find that Laurel fills up with Absolute Unconditional Love 17% faster than her previous (already high) rate, which then spills over onto her friends & relatives & relative strangers & the universe in general. In short, Laurel 5.0 is now more popular than ever with herself & it is possible--although not necessary--that 5.0 will be the preferred version worldwide.
169. Think of yourself as a piece of software. Plan a new release, perhaps scheduled to coincide with your next birthday. Cathy Version 4.4? Nikola Tesla Version 15.3? John Cusack Version 4.3? (You get the idea...)
Tuesday, April 14, 2009
April is one of my favorite months. In part because it's spring personified & in part because it contains my birthday. (April 22nd, Earthday, I become the 5.0 version of Laurel. Yee-haw.)
I am better at being me than I ever have been. That is something to celebrate. Really, I feel like every single day is my birthday, because every day is the new beginning of life.
Tonight is the second session of my screenwriting class. The text is Screenplay, by Syd Field, & I really LOVE this book. Not just for the practical screenwriting advice, but for the metaphorical metaphysics of it as well. For example, he tells us that if you don't know how to end the screenplay, write the ending you WANT to happen. He tells us that any action or dialogue should do one of two things: illuminate character or move the storyline forward. If it doesn't do one of those things, it doesn't belong in your screenplay. So, I extrapolate that into the realm of writing & creating a life & see the choice element: I'm going toward the ending I want & I get to pick the characteristics in my life that I would like to illuminate & if something isn't leading me toward what I want, well, why am I putting it there? Whining? Don't like that story. Worrying? Don't think so! Creative? Yep. Loving? Yep. (I could go on, but you get the picture. More importantly, I get the picture.) I'm the screenwriter & the director & central casting. I'm liking this movie. It's got magic & romance & adventure & peace & great scenery. & a thunderstorm. (But don't worry, I've unplugged my computer, so I won't get fried while bringing you these words.)
As a class, we came up with a character & her background, to start playing around with how to play around with screenplays. I have fallen in love with my ex-basketball player drug rep who has just moved back home with her parents at age 31. I might just keep working on this one for a while. (I got another really great idea, but it's more complicated so I think I might try to get one screenplay under my belt first.)
All righty then, time to go do something, anything, outside. One must take advantage of a good thunderstorm.
168. Imagine your life as a movie. What is the genre? Romantic comedy, action adventure, one of those real downers where you just know the main character is NOT going to get the good stuff? Remember, you're in charge. You can change the plot around (Hollywood does it all the time) & shoot new scenes & even go back & give old scenes new interpretation. If you don't like the genre, change it. Take creative control.